Sunday, April 10, 2016

April Update

You may be thinking: Is this the blog I'm looking for? Why yes it is! We've had a huge makeover! It's been a few years, so I thought it was about time. We have a new logo, courtesy of my fab sister Alex! Check out her cool art stuff at Alex Boake Illustration! >;D  And using my newfound knowledge I also made a silkscreen version of my new logo to label stuff with! Badass!


Wow, this is a crazy month! The first big news item is that I'm moving to Alberta for 3 months. I got a job in Drumheller. So I get to hang out with dinosaurs.

This means I will be missing Anime North for the first time in 11 years... I'm a little sad. But I will be back in time for Otakuthon, so I am looking forward to that. I may also attend AdAstra here in Toronto at the end of the month, but since it's 2 days before I move and I don't have a ride there yet... it may not happen.

I have a lot to get in order before I leave. I still have yet to officially decide what sewing projects to bring with me when I go, but I will most likely be taking some of my Link and Leia costume sewing to work on while I'm away.  I have LOTS of packing and prep to do this month, so there may not be much in the way of blog content in the next few weeks while I get my life in order...

In other news Presea is finished! After 3 years! Excitement! :D I did a photoshoot last month with Elemental Photography. So I will have actual photos as proof that that costume exists. Aw yeah.

In other other news, I got pictures back from Kevin Chan Photography for our Sakura and Tomoyo shoot! :D They look great! So pretty! I will be going back and adding them to their respective costume posts.


Madly working on my hat projects for my millinery class. Progress shots are on facebook. Since I will miss the final class I have 1 less week to do all my projects. Yikes.

Lots to do before I leave and running out of time to get it all done! I'd say posts are coming soon, but probably not until later this month...

Mischief managed... for now.

Tuesday, March 15, 2016

March Update

---Edit: Due to work reasons, I will be switching to attending Toronto ComiCon on Sunday March 20th, instead of the friday.---

Salutations! It's already March!?

I'm officially announcing my first convention appearance of the year: Toronto ComiCon. I'll be there on the friday night only (March 18th)--fingers crossed something doesn't come up with work. I haven't been to Toronto ComiCon since the days when it was still called MTAC. I have a photoshoot planned with Elemental Photography that I am excited for. Currently the plan is to wear my new lolita outfit or Presea. My original plan was Jack Frost, but that was decidedly too much work to finish on top of my current schedule. The costume is getting much closer to finished, but the high temperatures and lack of snow is really uninspiring. At this point I may get it as done as I can this year, but I will probably shoot it next winter.

In other con news... I haven't booked any yet except Anime North. Currently I am waiting to hear back on some job opportunities out of province, which would mean I would be missing most of the cons I normally attend (including Anime North). I obviously don't want to drop money on cons I may not be able to go to, so until I know for sure, I won't be booking anything. I am, however thinking of attending AdAstra for the first time in April this year, as it doesn't conflict with any of those job opportunities.

In blog news: all my posts on Vaporeon are finally up! Be sure to check those out. That write-up took ages. Splitting it into 6 parts just made it way more manageable to write. And with that completed, I am officially caught up on documenting costumes I made in spring/summer 2015. Coming up next are a few random projects that I haven't got around to posting yet--including my newest hat I made and some DIY projects.

There has been some progress since I announced my costumes for this year. Jack Frost as you know has had some serious work done on it. And I have also made the base structure for Sakura's hat. Presea has been pulled out of storage and I am currently fixing it up.

I have also taken on a few commission pieces over the last two months that have been pretty fun. Nice to finally get some paid work again. I can't share too much about them but I got to make a coat and a hat.

I have also been working on some product samples, as I plan to start up an Etsy store. More to come on that really soon!

That's all for now guys!

Tuesday, March 8, 2016

Vaporeon Gijinka - Sandals & Accessories - Pokémon


The 6th and final instalment of my Vaporeon building quest: Sandals & Accessories! This costume was all about the details and finishing touches. Beading, painting, trimming, gems, accessories, props--all elements that helped give this costume the extra wow-factor. It's not often I break a costume down into 6 posts, but this one is certainly worthy of that.

Links to Part 1: BoleroPart 2: Under LayersPart 3: Wrap Skirt TailPart 4: Wig & Hairpieces, and Part 5: Wraps & Bracers!

Thanks to Elemental Photography for the fantastical photoshoot! Credit for the original costume design goes to Cowslip!

Firstly I would like to thank my friend Harriet for lending me her fan! She does Chinese fan dancing and allowed me to borrow hers for this shoot. Thanks muchly!

For the sandals I started by buying a plain pair of cheapo flip flops from Ardene's. Which is a great place to buy shoes you don't care about.

I patterned my base cover shape out of paper, then cut out my pieces (making sure they were mirror images) in leather. Using acrylic paint, I painted these leather pieces navy blue to match the costume.

These pieces would wrap under the bottom of the shoe, with a single seam in the top. The long tails would be used to make a buckle strap around the back of the heel.

Once I was happy with the fit, I machine stitched that top seam.

Next step was to create ruffle bit. Using leftover navy fabric from the bracers I created the two pieces. Each is made of two layers, sewn right sides together along the outer edge, then flipped inside out and top stitched. 

These were then gathered and stitched onto the top of the leather part of the sandal. I also tacked them down with a hand stitch in a few places on the outer edge, because the fabric was super stiff and didn't want to lie flat. 

Next I sewed a buckle into the back of each and punched holes to finish the closure. 

The last step was to glue the leather piece to the sole of the shoe to keep it in place/stop it from rotating. I used e6000 to glue it and it worked quite well. 

Another step in the detailing process for this costume was creating the gems for the center front and the edge of each bracer. 

I sculpted them using apoxie sculpt and then I painted them using a few different shades of nail polish. I did a splotchy application of my dark blue and light teal. And then went over that with a translucent shimmery blue, before finishing it off with a coat of clear gloss.

I applied the same paint to my toenails later! Details are important!

All of the gems were glued onto the costume with e6000. 

My last accessory was a brooch I created for the front of the costume. It was based on the very faint squiggle in the illustration. I got to interpret it how I wanted and this was the result. (I think I sewed beads to  the center later?)
Overall I am very satisfied with how this project turned out, and look forward to starting my next complicated fancy project.

Once again thanks for all your support! Now that this is done I can move on with my life! Hooray!

Tuesday, February 23, 2016

Vaporeon Gijinka - Wraps, Bracers & Gloves - Pokémon




Part 5 of the Vaporeon saga! Let's talk about wraps, bracers and gloves! This was probably the most time consuming and difficult part of the entire costume to construct. Lots of hand painting and hand stitching was involved. The end result ended up looking even better than I had envisioned! >:D

Links to Part 1: BoleroPart 2: Under LayersPart 3: Wrap Skirt Tail, and Part 4: Wig and Hairpieces!

Thanks to Elemental Photography for the wonderful photoshoot! Credit for the original costume design goes to Cowslip!

The way I started drafting the pattern for these was super scientific! Not really. I literally traced my leg onto paper. This is so I could figure out the relational distance between my ankle, knee and thigh. This was purely to use to get the proportional heights of the bracers and wraps correct.

From there I was able to mark how tall I wanted the bracers and wraps to be. Then I drafted the pattern for the wraps and bracers separately. I also drafted the arm wraps and bracers at this time.

I'll start with the bracers first, since I finished the construction on those first.

I cut out my pieces in the various fabrics. I had an under layer in a shiny synthetic navy blue fabric and an over layer in a light aqua cotton (which was leftover from the Suppi costume).

I nearly cut out the wrong amount of pieces when I was laying out my pattern. Every piece has a backing because I needed that to properly finish the scalloped edges on the top and bottom. This meant every piece was doubled. The navy under layer was backed with the same navy cotton as the bolero lining because I ran out of my other navy fabric.

I assembled each of the fronts and backings separately, sewing them along the side seams. I ironed the seams open flat.

At this point I took the front over layer pieces of the bracers and painted on my scale pattern. I lightly drew this out in pencil and then traced over my lines with navy blue fabric paint. It sounds simple, but it took a really long time. I ironed them to set the paint before moving on.

Next I pinned each piece to its backing right sides together. I sewed them together along the top and bottom edges, leaving both sides open to turn them right way out. Before turning them out, I trimmed the excess seam allowance on the inside. I top stitched along the edges to neatly finish them.

I also added in my top stitching detail on the tops of the under layer at this time.

I aligned my side edges, zig zagged stitched over the raw edge of the fabric and then turned that to the inside and top stitched it down.

Then I used a punch to punch out the holes to put the grommets in for the laces. At this point I still had access to the grommet press at school, which I made good use of.

This was the point where I laid the project to rest for a year, because one of the main hurdles was the leg wraps, which I was positively stumped on. I didn't know how to rig them, I didn't know how to do the detailing and I didn't want to rush them and do a crappy job of it.

When I returned to the project, along with replacing the wig to fix the colour matching issue I also found another thing that was bothering me. The bracers were too teal for the rest of the costume, especially now that I had replaced the wig.

After re-evaluating, I decided to upgrade the paint job on the bracers, and in the process change the colour of them to be bluer. I added in depth to the scales, but also dry brushed over the whole thing to tint it. You can really see the difference it made in this progress shot.

The gloves I bought in Kensington market. I made gloves for an earlier project and decided it was by far the most horribly tedious thing to do ever. So I decided to buy and alter a pair. I cut out the hole that encompassed the index and middle finger on each glove, then zig zagged stitched the edges to finish them so they wouldn't fray all over the place.

The gloves were painted in the same style, except instead of laying them flat, I had to wear them each on my left hand in turn to paint them.

By doing the scale pattern and adding the depth to both the gloves and bracers it helped to meld them together visually and also give the false impression that they are even remotely the same shade of blue. Because they really weren't.

Now let's travel back to the beginning of the project when I traced my leg and started patterning. For the wraps I was venturing into an area I didn't have much experience with at the time--stretch fabric. In this project I can freely admit that I had no idea what I was doing and problems I encountered in the construction of these wraps are one of the main reasons I stopped working on the project for a while.

I will start with my first mistake: I bought fabric that was one-way stretch. Somehow it was more unpredictable than stretch fabric. I don't know, I just didn't like working with it.

I patterned out my pieces, figuring out the overlap at the top. In this picture you can see the two pieces for a leg wrap on the left and the two pieces for an arm wrap on the right.

I took them to school to assemble them with the serger, because this fabric frayed like crazy. I ended up making them slightly uncomfortably snug, but since I had serged off the seam allowance I couldn't let them out, and I used up all my fabric so I couldn't remake them.

I used the silver silk bias tape I had made for the bolero to finish the top edges.

At this point, I had no idea how to rig them. They were super snug, but not enough to stay up without slipping. This is when I threw in the towel on the project.

Zoom forward to one year. I am one year wiser. And I have ideas about how to finish this project.

First I decided to actually add the floral pattern to the fabric, which I had originally decided to not bother with (because of time constraints).

I decided to make stamps to create my design, rather than hand painting on the floral design. This is much quicker and easier if you are making repeating patterns/patterns with repeating elements. Based on the barely visible details in the reference image I sketched out some suitable flower and leaf designs, then traced those onto craft foam and cut them out. I glued the pieces onto a foam backing creating my stamps.

I laid out my wraps and began stamping. Using a blue fabric paint, I used a brush to apply the paint to the stamps and then pressed the stamp into a spot of my choosing on the wraps. I made the paint application purposely patchy. I didn't want the flowers to be solid. 

I wanted the flowers to be random and sporadic. There is no science to the design. I just made sure not to have too many of the same stamp to close to each other. 

I had to wait for them to dry before flipping them over and doing the sides and back. When everything was painted and dry I heat set the paint with an iron.

Next I decided to finish the overlaps differently. My original plan was to make the overlaps a functional closure. But it wasn't working--it pulled the fabric on a weird diagonal, and looked super bad. So I decided to sew it shut and just fake it. I sewed the frogs on top as decoration.

Next I used bias tape and hand stitched on all the fancy loops and detailing on each of the wraps. This took forever.

Lastly I had to rig them so they would stay up. As I mentioned in my wrap skirt section, the rigging for the wraps was attached to the inside of the skirt's waistband. At the back there is an elastic strap that attaches to each wrap using garter hooks. They are stretched to be pretty tight, but not so much that I can't bend or sit. Then I have a second backup strap made of webbing that doesn't put as much tension on it. This is for the sake of redundancy--if the first strap fails, the second will keep it up. You can see a bit of the rigging system in the picture below. I tried to keep it as invisible as possible.

The arm wraps are attached to the bolero with simple buttons and loops. Unfortunately they tend to pull the bolero sleeves down oddly. I plan to remedy this in the near future by stuffing the bolero sleeves.