Fox Embroidered Beret

My first project for my millinery class--the project outline gave us a choice of a number of styles of sewn hats. I chose to do a side sloped beret. And since decorating was required and beret tops have such a nice flat surface area I decided to turn this into an embroidery project.

I patterned the hat from scratch. And mocked it up to ensure I liked the style and fit. Then I sketched out my design for the top. Once I was satisfied with that, I moved on to the real hat.

I first cut out all my pieces. I picked a beautiful green wool for the fashion fabric and the lining is leftover silk from my Steampunk Corset.

Then I embroidered the top. I had to finish my embroidery completely before moving on, so that the back of the embroidery stitching could be protected by the lining and interfacing layers. That is the part that obviously took the longest.

I sewed the center back seam on my sidebands--lining and fashion layer.

I constructed the hat in the "pancake" method. The tip (top) of the hat has 3 layers: the outer layer, horse hair canvas interfacing, and the silk lining. I basted the 3 layers together.

Next I made some piping trim. This was stitched onto the top layer, piping to the inside, and seam allowance to the outside of the stitch line.

Then I basted on my outer layer of the side band. This was basted to the top, on top of the piping trim, following the same stitch line. Then I flipped it over and sewed the lining sideband to the bottom side, through all the layers.

The next step was to properly grade and notch my seam allowances to cut down on the bulk. Then I flipped the outside sideband over to the bottom. I carefully pressed it--without crushing the piping trim. Now the top of the hat was completely constructed and lined, and I could move on to the final part--the headband.

I basted my sideband layers together along the bottom seam allowance. Then I sewed one edge of the headband to the outside. I graded and notched my seam allowances before ironing and folding over the headband to the inside. This was pinned and then carefully slip-stitched in place by hand.

Presto! A fabulous beret!

Vaporeon Gijinka - Bolero Jacket - Pokémon

It's finally here, the one you've been waiting for--Vaporeon. In terms of quantity of pieces alone this is perhaps one of the most complicated costumes I have ever constructed. Hence, this one will be broken up into 5 shorter posts.

First of all I would just like to my deepest gratitude for the huge amount of support I received working on this costume. This one was a long time in the works. Special thanks go to my friend Harriet who dedicated many hours of her time and hand-stitched on 95% of the beads, hooks and clasps. Seriously, this costume wouldn't be nearly as sparkly without her help. I gave her the official title of Bead-Dazzler. Another shout out to my friend Alex who accompanied me on my initial fabric shopping scavenger hunt and helped me pick out the perfect fabrics for this costume.

Secondly, a million thank you's to Elemental Photography for the wonderful photoshoot and the wonderful pictures. I wasn't feeling so confident in a costume with so much exposed skin, but Amanda made me look and feel like a million bucks! You rock!

Credit for this amazing design goes to Cowslip. I discovered the Pokemon Gijinkadex collection of designs about 2 years ago now, and I fell in love with them. There are so many beautiful ones to choose from--I knew immediately that I wanted to cosplay one eventually. Picking between them was a challenge. I think I narrowed it down to 4, and then I let you--the fans--give your opinions on which you wanted to see me do. The votes were pretty divided--the Moltres design was also pretty popular--but eventually the decision was reached that Vaporeon would be the best one to do. Perhaps I will revisit the Gijinkadex in the future and do another one, but for now I am satisfied with Vaporeon.

I started the costume in May of 2014, originally intended to compete in the Anime North Masquerade later that month. This was at the same time I was working on completing the last 2ft of embroidery on my Forest Guardian and also building Sakura (1st opening outfit) and Isabelle--both sizeable projects. You can definitely say that I over-extended myself, particularly because I hadn't planned to still be working on the Forest Guardian at the time--I had intended to complete that for CostumeCon32 in April. By the time I hit AN prep suffice to say I was already super burnt-out.

I knew from the start that Vaporeon would be a challenging build--there was tons of detailing on every single piece. And there were so many pieces. No seriously, this costume has 22 individual pieces. It is actually kind of amazing that this costume is the one with the most pieces, and the most layers, while simultaneously being the costume with the most exposed skin I've ever done.

Ultimately, I underestimated the complexity of the project, by the time Anime North rolled around it was still not even at a point where it was wearable. I decided it was not possible to finish on the timeline I had and decided to compete in Forest Guardian instead. So I made my new goal completing it for AN2015.

...Unfortunately due to my hectic job schedule, that didn't happen either. Hahaha I didn't even try I was so busy. I finally completed it for Otakuthon later that summer--it took another month to fully complete the costume. I am pretty happy with the end result. There are only a few small things I want to adjust with the sleeves, but the rest of it worked out fabulously.

(Credit for the above shot goes to Don Dolce Photography!)

Let's talk about the first part of the build--the bolero jacket. It is the first piece I started and one of the last things I finished.

I started by draping the pattern for the bolero. I first outlined the edges and the seam where the big collar would be inserted using twill tape, then I used scrap pieces of muslin to pin in place, following the curves of the body form and trace my pattern pieces. It created 4 pieces. I then tested this pattern by making a mockup.

The next step was to pattern the big collar pieces. I made the first upper collar mockup out of paper so that it would be rigid, which would give me a better idea of what the final wired collar would look like. I ended up altering it slightly, then I made the second under collar with the offset spines.

Below you can see the pattern for the upper collar with the under collar below it.

I cut my collar pieces out of their corresponding fabrics. The upper collar was made with two layers of white cotton, sewn right sides together along the spined edge and then carefully clipped and flipped right way out. I ironed it and top stitched 1/8" from the edge to finish it nicely.

The under collar was made in the same fashion-except that it was made with the bottom side in the blue silk to match the rest of the bolero.

Here you can see all the pieces that made up the bolero jacket. Since the blue silk was so thin, I decided to line the body of it with a leftover navy cotton I had in stock (leftover from my bicycle skirt).

The piecing together of the collar was exceedingly complicated. I will do my best to explain, but ultimately I will have to say that I barely understood what I was doing. hahaha

There are 3 collars: the blue silk inner collar, the white wired collar, and the white and blue floppy under collar.

First I flat basted the blue inner collar to it's navy cotton lining. (The raw edge would get finished with bias tape later.)

I sewed the bottom side of the top collar to the bottom collar along the unfinished edge. This was sewn to the silk outer part of the jacket body along the collar seam. (So: jacket body, bottom collar --both edges, top collar (bottom edge).)

I sewed the top side of the top collar to the inner collar and the navy lining of the jacket body. (So: top collar (top edge), inner collar (and its lining), jacket body lining.)

Pictured left you can see how this left the top collar wide open for me to add the channels for the wires. Which was the next step.

Once the wires were in place I glued some felt to cover the ends that would sit in the jacket body. The felt helped to both keep them in place and make them less likely to wear through the fabric. The wires have an angle in them and extend past the collar seam and into the back of the jacket so that they rest against my back and therefore actually provide structural support.

Then carefully aligned it and I sewed the collar closed--this meant all 3 collars, the jacket body and lining were attached. The order from bottom to top is: jacket body, bottom collar (both edges), top collar (now both edges), inner collar (and its lining), jacket body lining.

I ironed the seam, pressing the jacket lining down, which hid all of this construction on the inside--giving it a nice, clean finish. Then I sewed channels for the bottoms of the wires to sit between the jacket layers. Then I basted the lining to the body along the raw edges--including the armholes. 

I used a basting stitch along the sleeve tops and cuffs to create puffed sleeves, which I then attached to the armholes. A year later I would return and finish the sleeve hem with a simple rectangular cuff. 

Next I finished the edges with a silver bias tape I made myself. I also used bias tape to finish the armhole seam neatly. 

Here you can see the inside of the jacket.

After this I sewed on some frogs for the closure on the top collar.

This pointy edged navy bit was top stitched to one side of the front opening of the bolero. It has dome fasteners to attach it to the other side of the opening for easy removal.

Details such as gems and beads were added later, I will go into details on those in a later post.

Floral Cream Underbust Corset

Hey all! I made another corset this past winter. This is not an obsession I swear... This one is an underbust corset that is going to act as a waist cincher/posture modifier, to be worn under my Phoenix costume (which is currently on hiatus). I also made it with another future steampunk outfit in mind... 

Showcasing here the new pistol prop I bought in Austria last month. Also worn with my Long Pleated Skirt.

I like how the shape of this one turned out much better than my black corset. Instead of using a fashion fabric on the outside, I just used the coutil. Except this time my coutil has a cool floral pattern on it! I picked up this fabric from the Farthingales booth at CostumeCon32 last year. It's super strong and super pretty.

 First I used twill tape to mark out my seam lines on my judy. Then I draped muslin over those sections to get my pattern piece shapes. I used a pen to draw the shapes on the fabric, unpinned the pieces and then cut along the lines I drew.

The pattern I ended up with looked like this. I numbered my pieces from 1-7 (center front to center back).

After making a mockup and tweaking the pattern to reflect the changes I made, I reduced the pattern so that it would have a 2" gap at the back. This means that I divided 2" into 7 parts and shaved off that amount from every seam. I shaved off just slightly more at the waist so that part could cinch even tighter. 

Then I cut my pieces out of my coutil. Remember you need 4 of every piece, a pair for each side.

For the center back panels I first sewed the pairs right sides together along the CB edge, then turned them right way out and pressed them. I flat basted all my pairs together (excluding the center front panels) and top stitched all the boning channels. The 14 panels looked like this.

I added in the busk to the center front, then flat basted it and added the last boning channels. If you want a tutorial on how to insert a busk, go here!

Then I began to sew the panels together. This is done very carefully, lining up the flat basted lines and the waist line. Accuracy is your friend.

Then I cut my spiral bones to length and inserted them.

I made my own piping trim from leftover fabric from my Steampunk Corset. If you want a tutorial on how I make piping trim, go here!

I attached the piping, then hand stitched down all the seams on the inside. Then I put the eyelets/grommets in the center back and added some cord to lace it.

Presto! Another corset! ;D

Katamari Ball - Katamari

I take no credit for this amazing prop, that goes to my mum, who undertook this impossible task and made it happen.

I will still show you how she made it. ;D

She started off with flexible plumbing pipe. She used math to figure out the circumference of a 5ft diameter circle, and determined how long each piece needed to be.

She started off with flexible plumbing pipe. She used math to figure out the circumference of a 5ft diameter circle, and determined how long each piece needed to be.

She made a circle for the top, and one for the bottom. These are what she would tie off the ribs to.

Once all 14 ribs were cut I helped to string them to the top ring. First we fed the cord through the pipe, looped it around the ring and then fed it back through the pipe, securing it with a bulldog clip.

Once all 14 were on I numbered them at the top and bottom with a sharpie so they wouldn't get mixed up.

Then she measured around the ringand evenly spaced the ribs, taping them in place and marking them.

Then we tied them to the bottom ring and taped those in place.

We realized that in order for it to stay it needed support beams. So 3 vertical supports were added.

We noticed that the supports were a bit too long, making it slightly egg shaped. She took off a couple inches from the supports to fix this. You can see the difference between before (left) and after (right) above.

One huge problem that we started to encounter was that the frame wanted to twist.  We knew that the only way to really prevent this was that the connections for the ribs needed to be rigid. But, in order to store this, we needed it to be collapsable. (So we couldn't just glue the ribs into place.)

At this point we agreed that with all of the supports that were going in to hold up the frame, this was not going to be wearable as a costume, and would have to just be a large prop. This is when we decided to make the Prince costume.

Mum added cross-bracing in an attempt to prevent the twisting.

Then she began to work on the pattern pieces for the cover. She used a roll of tracing paper to help her make the ribs equal distance apart and then traced the shape onto tracing paper.

Then she began to pattern the bumps which required a lot of math.

First she decided the width of each ring. Then she had to decide the circumference of each ring, at the inside and outside, then she divided each of those numbers by the same number. Then she drew out a symmetrical trapezoidal template using the numbers that her math gave her to be the length of the top and bottom.

Using this trapezoid (which is green in the picture below), she drew a C-shape, by drawing the trapezoids with the edges touching. Draw the same number of trapezoids that you divided your original circumferences by.  Then smooth out the edges and voila!

Here is the pattern she came up with for the different rings. ;D

Then she made the prototype bump and stuffed it, just to make sure everything was correct.

Then she sewed the ball cover together.

By using the frame, she was able to figure out the placement of the bumps.

More supports were added, but the frame still wasn't holding up very well... D:

Assembly line time! Each bump had 2 margarine containers in it to save on stuffing.

Mum relief clipping for easier sewing of reverse curves.

Elanne of Sweet Boake made all of our paper cranes. ;D

Hooks and eyes were used to attach the cranes to the ball, meaning that they are removable.

Looks like an egg...

Discs of cotton batting were cut out so that the stuffing wasn't lumpy.

Then the bumps were painstakingly hand stitched on.

The collapsing frame made it too difficult to stitch, so the frame was removed. A piece of cardboard was inserted under the area being hand stitched so that the cover wasn't accidentally stitched to itself.

12 bumps and MANY hours later...

The frame was absolutely not going to work, so we scrapped it and filled the katamari with 60+ beach balls.

It took a long time to blow them up until we found a pump!